{"id":237,"date":"2016-01-07T08:25:13","date_gmt":"2016-01-07T08:25:13","guid":{"rendered":"http:\/\/tiyatroyenicizgi.com\/?page_id=237"},"modified":"2017-10-12T19:49:30","modified_gmt":"2017-10-12T19:49:30","slug":"oyun-programi","status":"publish","type":"page","link":"https:\/\/tiyatroyenicizgi.com\/?page_id=237","title":{"rendered":"\u0130ki Efendinin U\u015fa\u011f\u0131 (2016)"},"content":{"rendered":"

2008\u2019den bu yana k\u00fc\u00e7\u00fck izleyicilerimize oyunlar sergileyen bir tiyatro olarak, repertuvar\u0131m\u0131za bir yeti\u015fkin oyunu eklemek istedik ve 4 ayl\u0131k s\u0131k\u0131 bir \u00e7al\u0131\u015fman\u0131n ard\u0131ndan Carlo Goldoni\u2019nin klasik haline gelmi\u015f komedi \u00e7al\u0131\u015fmas\u0131 \u0130ki Efendinin U\u015fa\u011f\u0131 ile kar\u015f\u0131n\u0131za \u00e7\u0131kmaya haz\u0131rlan\u0131yoruz. S\u00f6zl\u00fc gelenekten beslenen, \u0130talyan Halk Tiyatrosu Commedia Dell Arte\u2019nin yaz\u0131l\u0131 eserlere d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesinde \u00f6nemli bir \u00e7aba oldu\u011funu kabul etti\u011fimiz oyunun T\u00fcrk seyirci ile ileti\u015fimini daha da dinamik k\u0131lmak i\u00e7in kendi \u00e7evirimizi ger\u00e7ekle\u015ftirdik.<\/p>\n

Tarihte \u00f6nemli bir k\u0131r\u0131lma noktas\u0131 olarak kabul etti\u011fimiz XVIII. Y\u00fczy\u0131lda insano\u011flunun ge\u00e7irdi\u011fi de\u011fi\u015fim, de\u011fi\u015fen d\u00f6n\u00fc\u015fen de\u011ferler ve insan ili\u015fkilerinde ekonomik \u00e7\u0131kar\u0131n temel motivasyon kayna\u011f\u0131 olu\u015fturdu\u011fu, saf ele\u015ftirisini oyunun merkezine oturtarak okumaya ve aktarmaya \u00e7al\u0131\u015ft\u0131k. Her ne kadar s\u00fcr\u00e7-\u00fc lisan edersek affola\u2026<\/p>\n

Pantalone ve Dr.Lombardi, \u00e7ocuklar\u0131n\u0131 ni\u015fanlamak \u00fczereyken, Pantalone’nin k\u0131z\u0131 Clarice’nin eski ni\u015fanl\u0131s\u0131 oldu\u011funu ve gizemli bir \u015fekilde \u00f6ld\u00fcr\u00fcld\u00fc\u011f\u00fcn\u00fc \u00f6\u011frendi\u011fimiz Federigo Rasponi’nin geli\u015fi ile merasim yar\u0131da kal\u0131r.<\/strong><\/p>\n

Asl\u0131nda gelen, Ferderigo Rasponi’nin k\u0131z karde\u015fi Beatrice’dir ve a\u011fabeyini d\u00fcelloda \u00f6ld\u00fcren sevgilisi Florindo’yu aramaktad\u0131r. <\/strong><\/p>\n

\u00a0<\/strong>Bu arada Federigo Rasponi zannetti\u011fi Beatrice’ye u\u015fakl\u0131k etmekte olan Truffaldino’nun, rastlant\u0131 eseri, Beatrice’yi aramakta olan Florindo’ya da u\u015fakl\u0131k etmeye ba\u015flamas\u0131yla i\u015fler daha da kar\u0131\u015facakt\u0131r. \u00a0 \u00a0 <\/strong><\/p>\n

\u0130yi Seyirler<\/strong><\/p>\n

 <\/p>\n

\"ikiEfendiAfis3\"<\/p>\n

K\u00dcNYE<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Yazar<\/strong><\/td>\nCarlo Goldoni<\/td>\n<\/tr>\n
\u0130ngilizce’den \u00c7eviren<\/strong><\/td>\nSerhat Kurtay<\/td>\n<\/tr>\n
Y\u00f6neten<\/strong><\/td>\nSerhat Kurtay<\/td>\n<\/tr>\n
Dramaturji<\/strong><\/td>\nEkip \u00c7al\u0131\u015fmas\u0131<\/td>\n<\/tr>\n
Dekor<\/strong><\/td>\nFerit \u00d6zen<\/td>\n<\/tr>\n
Kost\u00fcm<\/strong><\/td>\nAy\u015fe G\u00fc\u00e7l\u00fc<\/td>\n<\/tr>\n
Maskeler<\/strong><\/td>\nSibel Altan-Selin Nazl\u0131 Ustao\u011flu-Senem Berfin Batun<\/td>\n<\/tr>\n
I\u015f\u0131k-M\u00fczik Uygulama<\/strong><\/td>\nSerhat Kurtay<\/td>\n<\/tr>\n
Organizasyon-\u0130dari Sorumlu<\/strong><\/td>\nSeda Eylem Kurtay<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Oynayanlar<\/strong><\/td>\n<\/tr>\n
Ahmet Sars\u0131lmaz<\/td>\nTruffaldino<\/strong><\/td>\n<\/tr>\n
Elif \u015een<\/td>\nBrighella<\/strong><\/td>\n<\/tr>\n
Ezgi Ayd\u0131n<\/td>\nClarice<\/strong><\/td>\n<\/tr>\n
Mustafa Kemal Bayrak<\/td>\nDr.Lombardi<\/strong><\/td>\n<\/tr>\n
\u00d6zge G\u00f6nan<\/td>\nBeatrice<\/strong><\/td>\n<\/tr>\n
Senem Berfin Batun<\/td>\nSmeraldina-Zanni2<\/strong><\/td>\n<\/tr>\n
Serhat Kurtay<\/td>\nPantalone<\/strong><\/td>\n<\/tr>\n
Sinan Nehir<\/td>\nFlorindo<\/strong><\/td>\n<\/tr>\n
Tolga Kurtez<\/td>\nSilvio-Zanni1<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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